Parrot and Olivier in America by Peter Carey
Well, I was going to post all kinds of preparatory and supplementary information about Parrot and Olivier, especially about Alexis de Tocqueville, the real-life French political philosopher and historian on whom the character of "Lord Migraine" is (apparently very, very loosely) based. However, my own computer melted down early this week, so I have only very limited access to a borrowed computer. For those of you with some curiosity about Alexis de Tocqueville, here is a link to a site about all things de Tocqueville, which includes further links to excerpts from Democracy in America (de Tocqueville's great work on the subject), also a link to his journal of the trip. I think that, there, we might find some of the famous passages that Carey said he borrowed and buried in Parrot and Olivier.
I scanned a few reviews, and the question that at least one of them thought was central to the book was, "Are art and democracy compatible?" which is a good question and one that we might raise at the meeting. Another question that occurred to me is: Among the few European languages that I have tried to learn, English is unique in that it has only one level of the second person. Every other that I know of (granted that my knowledge is not that broad), has a formal "you" (vous, usted) and an informal "thou" (tu). Throughout the the book, you'll notice that Olivier is perpetually irritated with Parrot for "tutoyer-ing" him. So when the English speaking world decided to simplify things by using only one form, "you," why did they choose the formal "you," instead of the brotherly "thee" (as the Quakers would have had it)?
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